On most Monday evenings, in a ranch house overlooking I-5 atop Mount Soledad, church is held in the garage.
Well, it sounds like church anyway. It features a full-on revivalist choir of 12 — highlighted by the beyond-soulful lead singing of Kristen Roberts and Rika Grier-Fairley, who could probably win “The Voice” if she tried — and five instrumentalists.
But they’re singing classic-rock songs, not spirituals. They include the Beatles’ “Let It Be,” The Band’s “The Weight” and the Rolling Stones’ “You Can’t Always Get What You Want.”
And the reverend is Jewish.
For more than a year, Rock The Choir has been practicing for its debut performance May 12 at
A couple of mornings after their second-to-last rehearsal, keyboardist and band leader Andy Shorenstein kicks back on the living-room couch of the same house and tells the Light how a Jewish boy from Long Island ended up taken to church.
“My parents were very religious,” he says. “They were one of the first Jewish families in my hometown of Oceanside. They were very strict with me that, up until the age of 13, you will go to temple! But the only spirituality I got out of it was is when we all sang together with the cantor. Those were songs sung with such longing, such pain, that it moved me.”
Then, Shorenstein discovered the blues and gospel and, he recalls: “I heard the same pain, the same longing to be part of America from black folks that I knew the Jews had experienced. And I fell in love with the rock n’ roll that was influenced by gospel, that deep-down, grindy blues-rock.”
When he was 14, Shorenstein convinced his parents to sell the family piano and buy him a Farfisa organ.
“I wanted to play The Doors,” he says. “And so I learned how to play the solo on ‘Light My Fire’ and I was like, ‘This is it, I’ve got to do this!’”
By day, Shorenstein is a workers’ compensation judge, a position he was recommended for after having put in 25 years as an attorney in the field.
“I am the judge, the jury and the fact-finder in these one-day trials where somebody’s claiming some benefits that are not being provided,” he says.
All Rock The Choir members have day jobs, since they’re not paid for playing. (All ticket proceeds help fund music education programs in San Diego’s public schools.)
Grier-Fairely, a former choir director and church minister from Los Angeles, works as a mortgage underwriter for a Wells Fargo in Sorrento Valley. Vocalist Roberts is an attorney. And, Shorenstein promises, “you’re not going to believe this one.”
One of the choir members is an obstetrician, he says, “and she sings right next to a woman who is six months pregnant!” (Now there’s a problem that could end up taking care of itself.)
Before Rock The Choir, Shorenstein’s passion project was a Bruce Springsteen tribute band that achieved local notoriety. Founded in 2008 by keyboardist, Springsteen obsessive and former La Jolla Country Day School parent Barry Rosenbaum, Thunder Road got to tour the Northwest — and headline the Belly Up and Anthology — before splitting up upon Rosenbaum’s unexpected death in 2016.
That’s still an open wound that Shorenstein refuses to discuss.
“But it made me stop and think that, you know, I ain’t getting any younger,” he says. “So I felt I needed to pick up the torch, and this Rock The Choir thing I’d been talking about for 15 years. I even mentioned it to Barry once and he liked the idea. But I’d never done it, because everyone I’d ever told it to responded, ‘That would be such a hard job.’ And I agreed.”
The logistics involved are intensely complicated. So many different people are doing so many different things at the same time — all of which need to be perfectly mixed — that a sound engineer (Katya Woronowicz) as well as a choir conductor (Roger Anderson) are required just to rehearse.
“But when Barry died, I decided that I’m going to do it,” Shorenstein says. “I’m going to do whatever it takes and I’m not going to give up. If I get people saying no, I’m just going to find people who say yes.”Shorenstein assembled his dream band via recommendations from friends and advertisements he placed on craigslist and musician websites. Unlike his previous band, the object of Rock The Choir isn’t to recreate, it’s to reinvent, which is why Grier-Fairely takes many of the male vocal leads.
“What someone like Rika is doing here, singing with me, I don’t know, but I’m thrilled to have her,” Shorenstein says. “I’ll take everything I can get from her. With her talent, she should be very famous.”
It’s neither coincidence, nor just geographic convenience, that Rock The Choir’s first gig is at La Jolla High.“I would like to see La Jolla have a choral program again,” Shorenstein says. “There was once heavy funding and interest in the arts in this community. But I think, as money got drawn away from the School District in general, the first thing that took the hit was the music programs.”
Shorenstein thinks that getting students and parents excited about choral music might plant a seed.
“My idea is to get the community to come out and hear people singing together again, and I want the audience to sing, too,” he says. “These songs are songs that everybody knows and they were picked for that reason. Not only is my conductor conducting the choir, sometimes he’ll conduct the audience, and we’ll all sing together, just like I did long ago in temple.”
Back at rehearsal, not a single note is out of place during Ike & Tina Turner’s “River Deep Mountain High.” But Shorenstein throws up his hands and apologizes. He can’t keep up with the keyboard part.
“OK, so we’re not going to speed up for us, we’re going to slow down for you?” singer Roberts inquires playfully.
“It’s my band,” Shorenstein says, laughing. Roberts shoots back: “I thought it was our band.”
And she’s right. It’s beyond Shorenstein at this point — something he’d be the first to admit.“These people have worked so hard for over a year for no pay, coming here, hoping this is going to work, and pretty much just doing anything I say — and I just can’t say enough nice things about people who would do that on faith, that this might work someday and turn into something,” he says.
— Rock The Choir plays La Jolla High School 8 p.m. Saturday, May 12. Tickets are $10 at the door, LJHS students are free. Visit www.rockthechoir.org