UCSD alumni tackle gritty, swinging tale of ‘Zoot Suit Riots’

Joanne Glover, Lakin Valdez, maya malan-Gonzalez and raul Cardona in San Diego rep’s ‘Zoot Suit.’ Daren Scott Photos
Joanne Glover, Lakin Valdez, maya malan-Gonzalez and raul Cardona in San Diego rep’s ‘Zoot Suit.’ Daren Scott Photos
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Joanne Glover, Lakin Valdez, maya malan-Gonzalez and raul Cardona in San Diego rep’s ‘Zoot Suit.’ Daren Scott Photos

If you go

■ What: San Diego Repertory Theatre presents ‘Zoot Suit’ (by Luis Valdez)

■ When: 7 p.m. Tuesdays-Wednesdays; 8 p.m. Fridays and Saturdays; 2 p.m. Sundays, to Aug. 12

■ Where: Lyceum Theatre, 79 Horton Plaza, downtown San Diego

■ Tickets: $32-$57

■ Box Office:

(619) 544-1000 ■ Website:

sdrep.org

By Pat Sherman

Two UC San Diego theater graduates return to town this month for San Diego Repertory Theatre’s revival of “Zoot Suit,” the fictionalized retelling of the social injustice that led to 1943’s explosive “Zoot Suit Riots.”

“I really feel that this is the Chicano play, the Latino play,” said director Kirsten Brandt, former director of San Diego’s Sledgehammer Theatre, who currently teaches at UC Santa Cruz.

The play is based on the Sleepy Lagoon murder trial and the ensuing riots, which erupted in Los Angeles when military servicemen attacked Mexican-American youths, inciting similar attacks across the country.

While conducting research for the play, Brandt said she was shocked to learn how egregious the historical events were.

“Some of the stuff in the play that I thought was an exaggeration is actually tempered,” said Brandt, who studied at UCSD with Jorge Huerta, considered the leading authority on contemporary Chicano theatre. “The misconduct that happened during the trials is even worse than I could have imagined.”

Fueled in part by the murder and in part by media hysteria over pachucos — a subculture of Latino youth that dressed in elaborate “zoot suits” — the Los Angeles police rounded up 600 Latinos on suspicion of various crimes, with 175 eventually being held in custody. The murder was never solved.

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UC San Diego theatre alumnus Raul Cardona as El Pachuco in San Diego Rep’s ‘Zoot Suit.’

Brandt said non-Latinos on the West Coast were apprehensive about the sartorial statement made by Mexican-American youth during the 1940s.

“The zoot suit itself was considered a little ostentatious because of the amount of material you need to make a suit,” she said. “We were at a time of war and rationing, just coming out of the De- pression. Here’s this rebellious nature in the form of this beautiful armor that these young men were wearing.”

While penning the script, which debuted in 1979 as Broadway’s first Chicano play, playwright Luis Valdez pored over hundreds of pages of transcripts from the trial.

“The guys on trail were not allowed to change their clothes, they were not allowed to get haircuts,” Brandt said. “They were being shown ... before the jury as these dirty, messy young men — very threatening. The defense attorney cited over 100 moments of misconduct from the bench when it came to taking away civil liberties from the kids.”

Some of the young men were found guilty of first- and second-degree murder and sent to San Quentin State Prison. It took a year for their appeal and release.

As racial tensions simmer on stage, equally hot music and choreography by Javier Velasco move “Zoot Suit” along.

The score, by Daniel Valdez and Lalo Guerrero (considered the “father of Chicano music”), is performed live by a jazz band from San Diego’s School of Creative and Performing Arts, blending Latin jazz and big band-era standards.

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