Adding to concerns surrounding the possible sale of the La Jolla post office at 1140 Wall St., are worries about the Belle Baranceanu mural that hangs there.
Post office supporters are concerned that if the building is sold, the mural, which is rare and historically significant, will not be properly preserved.
La Jolla Light
is working to report a monetary value for the mural.
Commissioned by the Public Works of Art Project during the New Deal in 1934, the mural depicts a colorful, cubist-style La Jolla Village landscape. As part of its PWA project during the height of The Great Depression, the U.S. government turned to local artists to create paintings for federal buildings, particularly post offices. Across the country, 1,400 murals were created as a result.
The Works Progress Administration (WPA) oversaw these pieces until its termination in 1942.
Currently, the General Services Administration (GSA) inventories the pieces if they hang in a federal building the GSA owns. They do not own the Wall Street post office, the United States Postal Service does.
La Jolla Historical Society Director Health Fox said the WPA commissioned Baranceanu to do seven pieces, but only two are still in existence — the one at the La Jolla post office and one in the Balboa Club in Balboa Park. Non-WPA works by Baranceanu are exhibited in galleries across the country, including the Metropolitan Museum of Art in New York.
“Preserving the heritage art and architecture of our community, like this mural and the post office, is a vital link to our cultural, aesthetic and economic legacies — all of the things that make us who we are,” said Leslie Davis, chair of the Save Our La Jolla Post Office Task Force.
Davis said her big concern is that because the federal government owns the art (which is painted on a canvas and mounted to the post office wall) it may not have the expertise required to protect it.
“It seems there is not an agreed upon plan related specifically to the art. There have been cases of other art being taken off government properties and never seen again,” she said.
Fox said it would take a high level of competence to properly move and preserve the work of art, should the need arise.
“Moving (the piece) somewhere is a very delicate procedure and it requires a very high level of expertise from a trained art conservator, such as what they have at the Balboa Park Conservation Center,” he said.
“It could be done, but it really has to be done by experts in the field who know how to do that to avoid any damage to the work.”
Davis said she has no assurances the government would utilize those experts if they sold the building and mural. “Very little is known about the government’s procedures related to WPA art ... The Federal government, as the owner of the art, is responsible for it, but I’m not sure if there is or is not regulation related to ‘maintenance’ and ‘storage’ procedures,” Davis said.