Lights! Camera! La Jolla! San Diego Film Festival comes to The Village

Quartet,” Dustin Hoffman’s directorial debut, screens 7:30 p.m. Saturday, Sept. 29 in Sherwood Auditorium of the Museum of Contemporary Art, La Jolla. The film, which received rave reviews earlier this month at the Toronto International Film Festival, involves the residents of a home for retired opera singers. Courtesy

San Diego Film Festival
■ When: Sept. 26-30
■ Where: Museum of Contemporary Art San Diego, 700 Prospect Street, La Jolla; Reading Theater, 701 Fifth Avenue, San Diego
■ Tickets: Individual films $14 pre-sale, $16 door
■ Passes: $75-$500 ■ Schedule/Tickets:

VIP Lounge (21+)
■ Where: Roppongi, 875 Prospect St.
■ When: Sept 28-29, 5-9 p.m.

By Pat Sherman

With fresh energy and leadership at the helm — and a bevvy of A-list events and 50 percent more screenings — San Diego Film Festival (SDFF) organizers are upping the ante for 2012 and beyond.

A primary component of SDFF’s growth strategy is the addition of La Jolla as a venue for several of its top screenings, including “Quartet,” actor Dustin Hoffman’s directorial debut, and an opening night appearance by legendary filmmaker Gus Van Sant (“Milk,” “My Own Private Idaho”), who will be honored with a career retrospective and a screening of his 1997 drama, “Good Will Hunting” (starring Matt Damon, Robin Williams and Ben Affleck).

“La Jolla’s inclusion was really important,” said the festival’s new board president, Kevin Leap, noting that screenings will now be split between the Museum of Contemporary Art San Diego (MCASD) in La Jolla and Reading Theater in the Gaslamp, where the festival has been based for years.

Nicole Gale Anderson in a scene from “Red Line.” The thriller, about a bomb attack on the Los Angeles subway system, was shot almost entirely in San Diego. Directed by former San Diegan Robert Kirbyson, it screens 6 p.m. Sept. 29 in the Gaslamp and at 5:30 p.m. Sept. 30 at the Museum of Contemporary Art, La Jolla. Courtesy Yellow Line Pictures

“There are a lot of people in North County, La Jolla included, that just won’t go to the Gaslamp,” Leap said. “La Jolla has such a high propensity for supporting the arts that we wanted to make it as easy as possible for La Jollans (to attend).”

This year’s festival, Sept. 26-30, includes 112 films, documentaries and shorts, including 11 world premieres and 16 West Coast premieres — all jury-selected from 1,300 submissions.

Tickets for individual movies are $14 pre-sale and $16 at the door. Passes range from $75 for an entire day of screenings to $500 for a VIP festival pass granting access to all four days of screenings, events, and panels.

Leap said organizers wanted to hold their “most prestigious event,” the Van Sant tribute, in La Jolla.

“He is the embodiment of what an independent filmmaker begins as and can become,” Leap said. “He makes films for the sake of beauty and art. It’s not 10,000 explosions and people flying across the screen; it’s independent film at its highest level.”

A VIP cocktail reception with Van Sant will be at 5 p.m. Thursday, Sept. 27 at MCASD, followed by a 30-minute film retrospective and “Good Will Hunting” at 7 p.m. in Sherwood Auditorium. Tickets to the cocktail reception are $125, or admission is free with purchase of a VIP pass.

Four days of exceptional films will screen at MCASD’s Sherwood Auditorium Sept. 27-30, with a rare guest appearance by Gus Van Sant (pictured). Courtesy SDFF

Leap said festival organizers envision the SDFF evolving into “Toronto West.”

The Toronto International Film Festival (held this year Sept. 6-16) draws more than 250,000 attendees — numbers Leap feels SDFF could eventually achieve, given the city’s proximity to Hollywood, as well as its plethora of hotels, restaurants and attractions.

The SDFF board consulted Sundance Film Festival organizers, as well as those with festivals in Toronto, Tribeca, Napa, Aspen, Palm Springs and Santa Barbara to gain insight on growing SDFF from last year’s attendance of about 8,000 to an internationally acclaimed festival drawing 100,000 film lovers.

Leap said the SDFF board is anticipating 25,000 attendees this year.

“Palm Springs does 120,000 people and Santa Barbara does 80,000. There’s no reason that we can’t do at least that,” he said.

More La Jolla film screenings
Another La Jolla highlight is Dustin Hoffman’s “Quartet,” 7:30 p.m. Saturday, Sept. 29 in Sherwood Auditorium. The film, which received rave reviews earlier this month at the Toronto International Film Festival, chronicles the residents of a home for retired opera singers.

Though Hoffman will be in Spain during the festival, his son, Jake Hoffman, also makes his directorial debut at SDFF, with the short film “Please, Alfonso.” It screens 7:30 p.m. Sept. 28 at Reading Theater.

“His film was spot-on, just wonderful and charming,” said Del Mar-based filmmaker and SDFF board Vice-president Tonya Mantooth. “It was one of the standouts for me.”

Four talented, young Australian Aboriginal girls learn about love, friendship and war when their all-girl group, The Sapphires, entertains U.S. troops in Vietnam. The film screens 7 p.m. Wednesday, Sept. 26 at Reading Theater in the Gaslamp. Courtesy

Another film that rose to the top for Mantooth was the thriller “Red Line.” Directed by Robert Kirbyson, it follows a group of Los Angeles subway passengers in the wake of a subterranean terrorist bombing.

The set in which 90 percent of the action takes place was built from reclaimed wood and junkyard parts on a small stage on the campus of John Paul the Great Catholic University in Scripps Ranch. The cast includes San Diegan Jamie Nieto, a two-time U.S. Olympian who recently returned from the London games, where he placed 6th in the high jump.

“He filmed it in San Diego and used San Diego crews,” Mantooth said. “It has fabulous production values. … This truly is an independent filmmaker who worked on an obviously tight budget and really brought a lot to the screen.” “Red Line” screens 6 p.m. Sept. 29 in San Diego and at 5:30 p.m. Sept. 30 in La Jolla.

Reel World
Close to 100 film aficionados and a final jury of industry professionals viewed submissions from 57 countries, including Turkey, Brazil, Japan and Palestine.

“We had some great foreign films,” Mantooth said. “That was probably one of the toughest categories to pare down, but we have wonderful international representation.”

Oscar-winning writer/director Martin McDonagh’s dark comedy, “Seven Psychopaths,” starring Colin Farrell, Woody Harrelson, Sam Rockwell and a Shih Tzu, screens 9 p.m. Saturday, Sept. 29 at Reading Theater in the Gaslamp. Courtesy

Though submissions had to be produced in 2011, a few exceptions were made for films with particular gravitas, Mantooth said, including 2009’s “The Courageous Heart of Irena Sendler,” starring Academy Award-winning actress Anna Paquin (“The Piano,” “True Blood”). The historical drama tells the story of a Polish woman who helped smuggle as many as 2,500 Jewish children out of a Warsaw ghetto during the Holocaust. It screens 4 p.m. Sept. 29 in La Jolla.

“The filmmaker’s going to be here and in the next day or so we’ll find out if Anna Paquin’s schedule will allow her to attend,” Mantooth said. “She’s also in a film short playing down in the Gaslamp, so she’s very eager to attend.”

Another film, which screened at this year’s San Diego Latino Film Festival, is the documentary, “Reportero,” which explores the issue of Mexican journalists being targeted for murder by drug cartels. The film, showing Sept. 28, 8:30 p.m. in the Gaslamp, sold out during this year’s Latino film fest.

“We’re partnering with them to bring it back,” Mantooth said. “It was a really impactful documentary and, frankly, I felt like everybody needed to see it.”

The Courageous Heart of Irena Sendler,” starring Academy Award-winning actress Anna Paquin (“The Piano,” “True Blood”) will screen 4 p.m. Sept. 29 at the Museum of Contemporary Art, La Jolla. The film chronicles a woman who helped smuggle as many as 2,500 Jewish children out of a Polish ghetto during the Holocaust. Courtesy

Youth opportunities
Of the many panels and workshops offered this year is “Connect,” which introduces budding high school auteurs to top film industry professionals for a day of workshops and networking. Each year, 250 of the most promising and enthusiastic film students are handpicked to attend.

This year the young actors from the hit TV show “Modern Family” will participate in the panel.

“They’re so at the top of the celebrity list right now,” Leap said. “We’re just excited to have them.”

“Fame High,” which screens 2 p.m. Sept. 29 in La Jolla, is the follow-up to Scott Hamilton Kennedy’s Academy Award-nominated documentary, “The Garden.”

“It chronicles a group of high school students who are really going down that path to being musicians, dancers and actors — the highs and the lows of it,” Mantooth said. “It’s a really wonderful glimpse into their lives and their struggles and successes.”

The film will be accompanied by a mini master class on the art of storytelling, led by Kennedy.

“He’s so passionate about helping kids move forward in their careers,” she said. “We’re really wanting to reach out to the performing arts students here in La Jolla and San Diego to be exposed to that.”

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Posted by Pat Sherman on Sep 18, 2012. Filed under A & E, Featured Story, Film, La Jolla, News. You can follow any responses to this entry through the RSS 2.0. You can leave a response or trackback to this entry

2 Comments for “Lights! Camera! La Jolla! San Diego Film Festival comes to The Village”

  1. JimPres

    The term 'Polish ghetto' is incorrect. The Nazi Germans established the 'ghettos' on occupied Polish soil. The ghettos were not Polish as implied by the comment. Please correct the error.

  2. deWoldan

    While it is heartening to see "The Courageous Heart of Irena Sendler" mentioned … it is an unfortunate error to suggest she "helped smuggle … children out of a Polish ghetto during the Holocaust", since there never were any 'Polish ghettos' but there were 'ghettos for Jews set up by German Nazis on occupied Polish territory'. This is a material distinction, and as such calls for a correction to the article.

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