Can art help halt Earth’s trash trauma? Yes! say conservationists

Panelists Miriam Goldstein, Nigella Hillgarth and Ann Mayer at Birch Acquarium.

By Will Bowen

One man’s trash is another man’s treasure … or piece of art.

So says the Birch Aquarium and The New Children’s Museum, which recently joined forces to inform the public about the growing problem of trash in the environment — and they hoped to do it through art!

On Feb. 6, the aquarium hosted a sold-out reception and panel discussion, “Trash: Art & Science Intersect,” starring Dr. Nigella Hillgarth, executive director of Birch Aquarium; Miriam Goldstein, a graduate student at Scripps Institute of Oceanography, who led an expedition to study the accumulation of ocean trash in the North Pacific Gyre; and Anna Mayer, an artist and assistant director of the Institute for Figuring, which is bringing awareness of the problem of trash through art work.

“We wanted to connect the dots between the artistic process and the scientific process and show how the two can fit together; for example, art education can help kids become better scientists by developing their innovative thinking,” said Gavon Morris, marketing manager at The New Children’s Museum.

Juliana Markoff, executive director of The New Children’s Museum, invited attendees to visit the facility at 200 West Island Ave., where there are currently 12 works of art that explore the problem of trash: What it is and how it effects all lives.

Birch Aquarium’s marketing manager, Jessica Crawford, said the aquarium hosted the event because “we feature the hands-on approach to learning that they emphasize at The New Children’s Museum, and because we know that the people of La Jolla are highly attuned to the issue of trash and pollution, living so close to the ocean.”

After introductions by Dr. Hillgarth, Miriam Goldstein discussed her three-week expedition with five other grad students on board the New Horizon to the Great Pacific Garbage Patch to study the accumulation of floating plastic. She said they did not find one big island of accumulation, but rather a small trickle of plastics that stretched for thousands of miles.

Scientists are not sure of the effect of this trash on the ocean, but it has entered the food chain and was found in about 10 percent of the fish in the area.

Artist Anna Mayer talked about her hyperbolic coral reef crochet project that has sprung up in 23 locations worldwide. Participants work on a large, colorful coral reef of yarn that represents all the coral reef humans have lost to pollution and environmental degradation. Mayer said, “Scientists can learn from how artists see the world.”

A number of people in the audience were not convinced that trash and art should be linked, and they expressed offense that trash and pollution could be seen as art. One gentleman called it: “An abomination!”

The conclusion of the panel was that mankind should consume less, stop putting plastic into the ocean, and come together in collectives to discuss the future of trash in the environment.

Get Involved Project
Juliana Markoff ended the evening with a challenge to all concerned: Collect your plastic trash for a week. Take a picture of it. Post the image at www.flicker.com/groups/oneweekchallenge.com.
You’ll receive two free tickets to Birch Aquarium, and two free tickets The New Children’s Museum.

On the Web
• The New Children’s Museum: thinkplaycreate.org
• The Birch Aquarium at Scripps: aquarium.ucsd.edu

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Posted by Pat Sherman on Feb 21, 2012. Filed under Art, Health & Science. You can follow any responses to this entry through the RSS 2.0. You can leave a response or trackback to this entry

1 Comment for “Can art help halt Earth’s trash trauma? Yes! say conservationists”

  1. Toz Reneek

    To quote a man (what makes him a gentleman, one might ask,) saying it is "an abomination!" says more about the man than the art. What are his credentials or his reasons for saying it? Without supporting info, one might assume he just prefers Sunday landscape painters. But then, 138 years ago, a critic wrote about a landscape painting, "Wallpaper in its embryonic state is more finished than that seascape." The artist was Claude Monet, who thank God, did not listen to such critics.

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